The academic legitimization of Gothic studies over the last thirty years reflects the resurgence of Gothic elements in numerous American and British (and some significant Canadian) cultural productions and research fields. Since the 1764 inception of the literary Gothic with Horace Walpole's The Castle of Otranto, Gothic genres have evolved in waves. Rictor Norton identifies the first wave between 1764 and 1840, the second from the late-Victorian era of the 1880s to World War I, and the third since the mid-1970s. Specifically, one can cite 1976 as a "formal" beginning of that third wave with Anne Rice's landmark novel Interview with the Vampire. While many online sites exist for the first two major Gothic periods, the diversity and extent of works after 1976 poses a challenge in terms of finding a central location for academically sound materials. Thus this localization of Gothic resources from 1976 to 2008, utilizing Morville and Rosenfeld's three circles of information architecture, constructs a third-wave portal of electronic materials, as well as an exploration of research methods, user needs, and an evaluation of websites, literature, media, and library materials.

Legendary actress and two-time Academy Award winner Olivia de Havilland is best known for her role as Melanie Wilkes in Gone with the Wind (1939). She often inhabited characters who were delicate, elegant, and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. She is also noted for her long feud with her fellow actress and sister Joan Fontaine -- a feud that lasted from 1975 until Fontaine's death in 2013. Victoria Amador utilizes extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress . Amador begins with de Havilland's early life -- she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries -- and her theatrical ambitions at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown. Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart and John Huston, and her onscreen partnership with Errol Flynn, with whom she starred in The Adventures of Robin Hood (1938) and Dodge City (1939 ). After she moved to Europe in the mid-1950s, de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and remained active but selective in film and television until 1988. Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood's greatest legends, who has evolved from a gentle heroine to a strong-willed, respected, and admired artist.